Posts Tagged ‘romance writing’

The Story Behind The Curse Giver

Wednesday, May 28th, 2014

Dear Readers.

I’ve been getting a lot of questions from you regarding how I came up with the original concept for The Curse Giver. In an effort to answer these questions, I’d like to share this essay that I wrote for The Curse Giver‘s release.

Enjoy!

D.

******

So, you’ve been wondering: How on earth did I come up with the concept for The Curse Giver?

The Curse Giver was an accident, a professional indiscretion, if you will, conceived during one of my little escapades, and born out of unchecked passion. Yep, I might as well come clean. Even the most disciplined writer can be unfaithful to her projects, and no matter how thoroughly taken one is with one’s current novel, the danger for a tangent is always there when venturing into the world of research.

So there I was, researching one book, working hard to finalize the Stonewiser series, when I came across this insidious little idea that kept disrupting my train of thought.

Now, to understand the story behind The Curse Giver, you must understand me and my writing habits. I’m not easily distracted. When I’m writing a novel, my brain goes into hyper mode. I’m disciplined, motivated and focused to the point of obsession, which is why The Curse Giver was such a surprise to me.

The subject of curses has always fascinated me, not only because curses are such a vital part of magic and fantasy, but also because they are so prevalent to the human experience. To be honest, I had always been intrigued by the subject, but didn’t delve into it, until one very late night—or was it very early morning?—when the wind rattled my window as a coastal storm blew in from the sea.

The clay tablets that popped up on my screen dated from 600 BC and were part of the library of Nineveh, also known as the library of Ashurbanipal, the oldest surviving library of cuneiform tablets. This is the same collection that gave us the famous Gilgamesh epic. Visually, the tablets weren’t much to look at, chicken scratches on clay. But the translated words had an impact on me.

May all these [gods] curse him with a curse that cannot be relieved, terrible and merciless, as long as he lives, may they let his name, his seed, be carried off from the land, may they put his flesh in a dog’s mouth.”

I know, hardly an inspiration for most. Me? I immediately thought of the man who had been thus cursed, of the pain and hardship such curse would bring upon him and his people, of the character that eventually became Bren, Lord of Laonia in The Curse Giver.

From there on, the curses flowed before my eyes, mysterious ones from ancient civilizations in Egypt, India and the Far East; thin lead tablets dating from the Greco-Roman world, judicial prayers, secret invocations, warnings and love spells that streamed into my consciousness. I knew I should get back to my original research, and yet I was smitten with the subject.

There were curses quoted from the Bible, medieval curses, real and forgeries, Viking, Celtic, Germanic, Visigoth, Mayan, Incan, Hopi, you name it. There were ancient curses but also modern curses, some associated with Santeria, voodoo and the 21 Divisions, religions that are common in the Dominican Republic where I grew up.

Who would cast these curses and why? What kind of creature could be capable of such powers? What would motivate a person to curse another one? As I explored these questions, a character profile began to emerge in my mind, someone whose understanding of good and evil was very different from my own.

Sorting through the research, I could see that some curses had practical applications to make sure people did what they were told. They served as alternate forms of law enforcement in lawless societies. Some were obviously malicious. They were meant to frighten and intimidate. Some were more like venting or wishful thinking. It turns out that mankind has been casting curses since the beginning of time and will probably continue for as long as we have the imagination and faith to do so.

A new question formed in my mind. Once cursed, what could a person do to defend himself? A third character emerged from this question, Lusielle, a common remedy mixer, a healer of hearts and bodies, someone who didn’t realize the scope of her own power until it began to transform her life.

Eventually, I wrestled myself out of the trance. I had a book to write and a series to complete. I had deadlines. But my little detour had made an impact. The concepts were at work in my subconscious, coalescing into a new novel, fashioning these powerful characters who demanded their own story. My encounter with curses had been but a slight detour from my research plan, a tiny deviation, an indiscretion to my schedule, but the seed had been planted and The Curse Giver thrived, even if I didn’t know it yet.

The Curse Giver from Amazon

Off to Japan: My Writer’s Packing List

Wednesday, January 29th, 2014

By

Dora Machado

Japan Rail Passes

If everything goes as planned, by this time you read this, I’ll be on a plane to Japan. Even though I’ve been to Asia Minor before, this will be my first trip to Asia proper. I’m so excited!

For this trip, I’ve had to make zero planning effort. That’s because I’m teaming up with one of my all-time favorite traveling companions, travel blogger Mariana Marshall of http://marianaonthemove.com/, with whom I walked the last 100 kilometers of the Camino of Santiago de Compostela. She is also my daughter.

The advantages of tagging along with a travel blogger can’t be understated. My traveling companion carefully researched and selected the itinerary and made all of the traveling arrangements, transportation and lodging reservations. I just get to come along for the ride!

We’ll be spending some time in Tokyo and then traveling on to explore Kyoto and its environs. We’ve got a very long list, but I’m looking forward to staying at a traditional Japanese guest house (ryokan), exploring the natural hot springs (onsens), and riding Japan’s fabulous bullet trains.

Packing for Japan in the winter had me asking a lot of questions, but travel bloggers are Girl Scouts at heart, and mine found this awesome packing list from a fellow blogger:  http://herpackinglist.com/2012/12/ultimate-female-packing-list-japan-winter/.

My writer’s packing list must, of course, include my computer, tablet and cell phone. We don’t speak the language, so we’ve uploaded some interesting apps that might help if all else fails. I’ll let you know how that goes.

Technology is a wonderful convenience, but I’ve learned that, when traveling, it isn’t always reliable. So in addition, I’m bringing a good, small, old-fashioned notebook to jot down my thoughts and observations, a few good pens, and my camera, all indispensable tools that will work with or without an Internet connection, and that are suitable to all environments.

But the most important elements for a successful trip are stowed not in my suitcase, but rather in my mind. They include flexibility, openness and imagination. Flexibility is key when traveling, the ability to roll with the punches, accept, adapt and adjust to the changes intrinsic to the traveling experience. From airports to hotels, from technology to people, traveling exposes us to new situations that test our comfort levels and push our boundaries.

An open mind is also vital to the traveling experience. It allows us to see the world for what it is, not for what we think it should be. It also teaches us to value the differences that make each place unique and each culture extraordinary.

And finally, I bring along my number-one writing tool, my imagination, to take in the sights, sounds, smells and tastes that I’ve never experienced before, to relish the emotions of the journey, to collect the odd, the common and the spectacular, to understand and process the experience of being human. For a gal into world building, the traveling experience is a rich trove indeed.

So, wish me luck.

Sayonara, kids!

Japan bound

The Curse Giver is an Award-Winning Finalist in the 2013 USA Best Book Awards

Thursday, November 21st, 2013

bestbooksfinalistJPEGsmall

Great news!

I am delighted to announce that The Curse Giver is now an award-winning finalist in the fantasy category of the 2013 USA Best Book Awards, sponsored by USA Book News. Now in its 11th year, the USA Best Book Awards is one of the largest mainstream book award competitions in the United States.

I’d like to congratulate all of the winners and finalists of the USA Best Book Awards. I’d also like to thank the judges for their hard work sifting through such a talented field and for awarding this distinction to The Curse Giver.  Huge thanks to all the folks who worked on The Curse Giver and especially to Lida Quillen of Twilight Times Books, for putting together a terrific book.

You all know that writing is an indulgence to me, a selfish, satisfying pursuit. I don’t write to win contests and I’m always amazed when I do, but every once in a while it’s nice to get a pat on the back from folks who know what they’re doing.

D.

USA BOOK NEWS ANNOUNCES
WINNERS AND FINALISTS OF
THE 2013 USA BEST BOOK AWARDS

Mainstream & Independent Titles Score Top Honors

in the 10th Annual USA Best Book Awards

St. Martin’s Press, Random House, Simon & Schuster, Penguin, John Wiley & Sons, Farrar, Straus and Giroux, Hay House, Llewellyn Worldwide, and hundreds of Independent Houses contribute to this year’s Outstanding Competition!

LOS ANGELES – USABookNews.com, the premier online magazine featuring mainstream and independent publishing houses, announced the winners and finalists of THE 2013 USA BEST BOOKS AWARDS on November 14, 2013. Over 400 winners and finalists were announced in over 100 categories. Awards were presented for titles published in 2012 and 2013.

Jeffrey Keen, President and CEO of USA Book News, said this year’s contest yielded over 1500 entries from mainstream and independent publishers, which were then narrowed down to over 400 winners and finalists.

Keen says of the awards, now in their eleventh year, “The 2013 results represent a phenomenal mix of books from a wide array of publishers throughout the United States. With a full publicity and marketing campaign promoting the results of the USA Best Book Awards, this year’s winners and finalists will gain additional media coverage for the upcoming holiday retail season.”

Winners and finalists traversed the publishing landscape: St. Martin’s Press, Random House, Simon & Schuster, Penguin, John Wiley & Sons, Farrar, Straus and Giroux, Hay House, Llewellyn Worldwide, Thomas Dunne Books, Oxford University Press, American Cancer Society and hundreds of independent houses contributed to this year’s outstanding competition.

Keen adds, “Our success begins with the enthusiastic participation of authors and publishers and continues with our distinguished panel of industry judges who bring to the table their extensive editorial, PR, marketing, and design expertise.”

USABookNews.com is an online publication providing coverage for books from mainstream and independent publishers to the world online community.

The winners and finalist of the Fiction/Fantasy category include:

Winner
Collider by Chris Hejmanowski
Fisher Press
978-0-9857180-0-8

Finalist
The Bane of Yoto by Joshua Viola with Nicholas Karpuk
FiXT
978-0985559014

Finalist
The Curse Giver by Dora Machado
Twilight Times Books
978-1-60619-289-4

Finalist

The Silver Sphere by Michael Dadich
Evolved Publishing
978-1622536016

A complete list of the winners and finalists of The 2013 USA Best Book Awards are available online at http://www.USABookNews.com.

CurseGiver_Front Cover Final

http://amzn.to/13oVu2P

Words of Wisdom for New Writers

Monday, October 28th, 2013

The SeacrestFacebook Cover Art

As many of you know, I’m a sucker for a great romance. My guest today is Aaron Paul Lazar, who is celebrating the release of his heart-warming romance, The Seacrest. The Seacrest has been compared to Nicholas Spark’s evoking novels. Warren Adler, bestselling author of The War of the Roses and Random Hearts, says that “The abiding power of a first love resonates throughout this compelling story of loss and redemption.” I can’t wait to read The Seacrest! Scroll to the bottom for a peek at this powerful story and help us drive it up to the top of Amazon’s charts by buying it today at http://amzn.to/16pjh4i.

And now, some very wise words of wisdom for new writers everywhere.

Enjoy!

D.

****

Quit Your Job?

Maybe not just yet.

Words of Wisdom for New Writers

By

Aaron Paul Lazar

(Who really, really knows what he’s talking about!)


Aaron Paul Lazar author pic

The stages through which writers suffer in their careers are unique compared to most professions. Yet, strangely enough, these experiences can be startlingly similar from one writer to the next.

I’m reminded of this as yet another talented new writer has “found” me through the Internet and turned to me for advice. We’ve been exchanging regular email, and have covered questions from copyright to agents to query letters and beyond. I believe in helping writers whenever possible, and always try to make time for them when I can.

Why?

Because that’s what S.W. Vaughn, R.C. Burdick, Mary Emmons, and other generous folks did for me when I was just starting out.

I remember it so clearly. The angst-riddled beginning: when I’d just turned out my first novel and imagined it on the best seller’s list. I secretly hoped it would be snapped up in a few weeks, but feared at the same time how deluded I probably was, and feared I would be outed by the critics as a poor untalented slob who would never get into that elite club of “real writers.” Even though my family and friends said they loved my books… they had to say that? Right?

Time passes. More books are written. Agents get interested. Skills improve. And among the piles of rejections and torn hair and crumpled rewritten query letters, books eventually get sold. Maybe not to the big boys in the top five companies with all the promotional money, maybe not through agents who finagle six figure deals, but stuff happens and one’s readership expands.

People write to you from out of the blue. Regular people. Lovely people. People you befriend and learn from and cherish. People who say they’ve changed the way they read to their children because of your book, or who tell you they read to their dying mother and that your book comforted her. Those moments are supremely satisfying. And humbling. And so precious.

The first review comes in from a high profile literary critic. This one comes out of the woodwork, without solicitation. And he praises your work like you’ve never dared imagine. He GETS you. He really GETS you. And for the first time in your career, you feel totally validated. I’ll never forget that first time. His name was Thomas Fortenberry, and I remember the email, word for word. I opened it early on a dark Sunday morning–before dawn–and I lay in bed with the laptop humming with tears of joy on my cheeks.

It floats you to the moon, and validates you, and keeps you going. Until, of course, someone dares criticize your work. Of course, eventually it will happen, whether it’s a minor critique or a full blown trashing. You can’t make adoring fans out of everyone!

But thankfully, the really bad review ends up being written by someone with a humongous grudge on your first publisher. Someone who makes it his first order of business to drag down authors from that company. So, the sting lessens. A little.

The first book signing comes and goes. Becomes a frequent event. Book clubs contact you–and you get to meet gangs of your adoring fans. It feels good. Really good.

Maybe it’s a sign that you don’t really stink as bad as you fear? (see, that angst still hangs around for years and years.)

Libraries contact you for event after event. And suddenly–here you are, having to turn down events you only dreamed of as a novice.

It’s rather strange, and equally wonderful. And so the story continues.

Coming fresh from dispensing advice to my new friend, I’ve jotted down a few thoughts to share. Words of wisdom, I guess you could say, or at least philosophies that seem to work for me. Here they are, in no particular order:

1) Keep writing, independent of which agent or publisher you have in your sights or in hand. Write as many books as you possibly can, and grow your skills as you grow your stable of books.

2) Improve your current proficiency–continually–by befriending a few good critique partners and by reading as much as you possibly can. Great writers will be your best teachers.

3) Don’t quit the day job unless you have the luxury of doing so financially. Plan to work indefinitely until you’ve sold over 100,000 copies of your first book. Really. I’m serious. (which means most of us will keep the day jobs forever) Then, wait to see if your second book flops or follows the trend of the first. There are plenty of one hit wonders out there! After two “A” movies have been made (I’m picturing about a half a million for each), then you can consider quitting the day job. That is, if you’re good with money and feel as if you can keep churning out books for a very long time. Remember, if you’re–say fifty years old–you might need to support yourself (and maybe your spouse) for another fifty years. You’d need several million to keep yourself going at a reasonable income level for that long. So don’t quit the day job yet!

4) While you’re waiting for this elusive financial success, and you’re writing book after book, submit your manuscript and queries to all levels of publishers, but only to the top agents in NYC. (my humble opinion) Consider a small high quality press to get started, especially if the big publishers haven’t snapped you up in the first year, or five.

5) Don’t define your success as a writer by how many books you sell or how fast your novel(s) get picked up. Or even IF they get picked up. Define your success by the readers you win over, whose lives you may even change as a result of your writing. Cherish their comments, and realize that if you can make one person smile, or brighten their day, or give them an armchair adventure that whisks them away from their troubles – then THAT may be worth it, and all you need to be validated.

6) Although it takes time away from your writing, build a strong, genuine network of writers with whom you can share, grow, learn, gripe, vent, and just share the common angst and jubilation that comes with this long process. Do the same with your readers who fall in love with your book(s) and are willing to help you along the way.

7) Start on the next book before the first is accepted anywhere. Don’t look back. Keep going and follow your heart.

8) You must believe it “will” happen. It’s just a matter of time. Although my books provide a nice subsidy at this point in my career, I firmly believe that some day my books will sell enough copies through my high quality small press (Twilight Times Books) to catch the attention of a movie maker or giant publisher with deep pockets. And now, with my new love story just released, I’m picturing the film for The Seacrest in full living color. ;o) And I know, I believe, I see in the future–eventually–that both of my series will some day be commonly found across the globe. Maybe it’ll be when I’m dead and gone, and perhaps my grandkids or great grandkids will benefit. That would be just fine with me!

About Aaron Paul Lazar

Aaron Paul Lazar writes to soothe his soul. An award-winning, bestselling Kindle author of three addictive mystery series, writing books, and a new love story, Aaron enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. Visit his website at http://www.lazarbooks.com and watch for his upcoming releases THE SEACREST (2013), SANCTUARY (2014), and VIRTUOSO (2014).

ONLINE LINKS:

www.lazarbooks.com

The Seacrest 3D Image Of Coverhttp://amzn.to/16pjh4i

All About The Seacrest:

They say it’s better to have loved and lost than never to have loved at all.

Finn McGraw disagrees.

He was just seventeen when he had a torrid summer affair with the girl who stole his heart—and then inexplicably turned on him. Finn may have moved on with his life, but he’s never forgotten her.

Now, ten years later, he’s got more than his lost love to worry about. A horrific accident turns his life upside down, resurrecting the ghosts of his long-dead family and taking the lives of the few people he has left.

Finn always believed his estranged brother was responsible for the fire that killed their family—but an unexpected inheritance with a mystery attached throws everything he knows into doubt.

And on top of that, the beguiling daughter of his wealthy employer has secrets of her own. But the closer he gets, the harder she pushes him away.

The Seacrest is a story of intrigue and betrayal, of secrets and second chances—and above all, of a love that never dies.

****

Want to know more? How about a sneak peek at the first chapter? http://www.lazarbooks.com/theseacrest.htm

The Seacrest is a poignant love story that will have you reaching for the tissues. Every woman needs a Finn McGraw!” – Victoria Howard, bestselling romantic suspense author of RING OF LIES.

“At a time when many authors seem to crank out fiction by the numbers, Aaron Paul Lazar invests his whole heart in every book he writes. His stories shine with sensitivity, compassion, and the richness of deeply personal experience.” – Michael Prescott, bestselling thriller author of GRAVE OF ANGELS

“…Beautifully drawn, The Seacrest explores twin mysteries of past and present tragedies that combine into a fascinating tale in which a young couple overcomes life’s misunderstandings, while reaching for the truth.”  – Sheila Deeth, author of Divide by Zero

Help us drive THE SEACREST to Amazon’s top rankings by purchasing it today, Monday, October 28th at http://amzn.to/16pjh4i.

A Review of Stonewiser: The Heart of the Stone Audio-Book Edition

Wednesday, October 23rd, 2013

Hello everybody!

I love to listen to a good story. I find it comforting, relaxing and fun to hide in a quiet corner, plug in my headset, and bask in the wonders of a great tale. My love affair with audio-books probably began early on as a child, when my parents shared their love for books by reading aloud to me. I remember thinking that it was such a treat! I then read to my own children and learned to relish not only the great children’s books of a new generation, but especially, our time together. Reading aloud to our children is not just fun; it’s also a loving gift and a lasting legacy. Look at me. I’m still craving the story that the voice tells. Or is it the voice that tells the story?

Audiobookjungle.com is one of only a handful of sites dedicated exclusively to audio-books. As a disclaimer, I will say that I don’t know the principals and only discovered it by accident, when my publicist submitted Stonewiser: The Heart of the Stone for review. It is a treasure find, packed with helpful reviews, discussions, articles and tips for audio-book addicts. So if like me, you love to listen to your books as you commute to work, wash the dishes or before you turn in for the night, don’t miss http://audiobookjungle.com.

As luck would have it, audiobookjungle.com did review the first novel of the Stonewiser series and, to my utter delight, found it worthwhile. So here it is, audibookjungle.com’s brand new review of Stonewiser: The Heart of the Stone, audio-book edition.

Enjoy!

D.

Stonewiser: The Heart of the Stone Audiobook Review by Audiojungle.com

Written by Dora Machado, Narrated by Melissa Reizian Frank

Stonewiser: The Heart of the Stone by Dora Machado Audiobook Review

Who is the author

Dora Machado, the author of the Stonewiser trilogy is relatively new to the fantasy scene, at least that’s what I gathered from looking her up online. At the time of posting this review she has written four fantasy novels which seem to be well received from the readers. The first book in the Stonewiser trilogy, Stonewiser: The Heart of the Stone is the one I read and I’ll certainly be grabbing the next one as soon as possible. It’s really good. No wonder it won the 2009 Benjamin Franklin award for best debut novel.

What does stonewiser mean
The title sounds a little mysterious because the word stonewiser is fictional and you don’t know what to expect until you start reading. I’m usually the type of person who would do minimal or no research regarding a book I’m about to read, as I don’t want to see any spoilers or get my judgment of it’s quality swayed. The problem is that if you do that with authors new to you it takes awhile to get used to their style and get a feel of what the book is going to be about. Dora Machado throws you straight into the action from the first chapter. You immediately learn that stonewisers are gifted people that can imprint stones with information and read it. You also learn that there are some kinds of stones that are not supposed to be wised because The Guild forbids it. That’s good writing right there – you get the essentials right away but you want to know more, right now! :)

What’s the premise of the story?

Find out more at http://audiobookjungle.com/

What I liked

The writing. It’s well crafted, easy to follow and engaging. While the basic skeleton of the story isn’t groundbreaking (a rebellious heroine that kicks ass and changes the world) it has fresh and intriguing bits. I appreciated the occasional dark and gritty scene that surprises you with it’s violence without becoming uncomfortable to read. The characters were vivid and interesting and here’s where the narrator should also get a portion of the credit. Melissa Reizian Frank does an excellent job. I also appreciated that the audiobook didn’t end with a cliffhanger and the ending provided enough closure to even look at The Heart of the Stone as a stand-alone novel. That doesn’t happen a lot these days, especially with fantasy novels.

What I didn’t like
This may seem a little nit-picky but it bothered me noticeably and it’s something I think an editor should have noticed. The use of ‘Meliahs, help/save us’ as an exclamation (Meliahs is the goddess of the sacred stones) was overdone and appeared too often in scenes where the characters were distressed in some way.

Final thoughts
If you’re looking for a fresh and well written fantasy audiobook, Stonewiser: The Heart of the Stone is an excellent pick. I hope it gets as much of a following and readers as it deserves.

A Quick Guide to The Stonewiser Series

Get your copy on Audible:

Stonewiser: The Heart of the Stone by Dora Machado Audiobook Download

On Amazon:

Stonewiser: The Heart of the Stone by Dora Machado Audiobook Review
Written by: Audiobook Jungle
4.95 stars
http://audiobookjungle.com/

My Interview with Karen Swart

Wednesday, October 9th, 2013

Hi Folks,

Here’s my brand new interview with South African paranormal and urban fantasy author, Karen Swart, where she asked me all kinds of interesting questions, including whether my books had a hidden message. You know what? I had to think about that one.

Enjoy!

D.

****

Hi Dora! Did you always wanted to be a writer?

Hi Karen. Yes! I’ve wanted to be a writers since as far back as I can remember.

When did you first consider yourself a “writer”?

Good question! I think I only began to call myself a writer after my first book, Stonewiser: The Heart of the Stone, was published.

How long did it take to get your first book published?

About a year from beginning to end. It felt like a century!

Do you do another job except for writing?

Not anymore! These days I’m lucky enough to write full time and I’m enjoying every minute of it.

What is the name of your latest book, and if you had to summarize it in fewer than 20 words what would you say?

My latest book is called The Curse Giver. Twenty words, eh? Why, let’s give the old logline a try: An innocent healer condemned to death must ally with the cursed lord pledged to kill her to defeat the curse giver who has already conjured their ends.

Who is your publisher?

I’m a very lucky gal. The Curse Giver was published by Twilight Times Books, an independent publisher based out of Kingsport, Tennessee, that specializes in publishingcritically acclaimed literary, mystery and SF/F books. A dynamic, top-of-the-line, quality-oriented publisher, TTB has more than 140 titles in the 2013 Spring Catalogue and is the home of a talented and friendly bunch of authors who have enriched my publishing experience. Check out TTB at http://twilighttimesbooks.com/

How long does it usually take you to write a book, from the original idea to finishing writing it?

It takes me about four months, give or take a little. Keep in mind that the time invested is not always consecutive when you are working on a novel. Sometimes I’ll advance one project and then shift to another novel, before going back to complete the first one.

What can we expect from you in the future? More books of the same genre? Books of a different genre?

You can expect more stories from me in the future, more dark fantasy romance, a dark contemporary fantasy with a Latin twist, and more about the world of The Curse Giver in its companion novel, The Soul Chaser.

What genre would you place your books into?

The Curse Giver falls into the fantasy genre and fits well in the subcategories of epic fantasy, dark fantasy, fantasy romance and romantic fantasy.

What made you decide to write that genre of book?

I’ve always been intrigued by the fantasy genre. I love the genre’s creative freedom, the opportunity to rethink, redesign and reinterpret the human experience, the creative challenges that that arise from world building, and the mysteries that magic brings to the human equation. I grew up in the Dominican Republic and my life always felt kind of magical in many ways. I’ve always straddled different worlds. Fantasy is a perfect fit for me.

Do you have a favorite character from your books? And why are they your favorite?

I do. I think it’s a tossup between the main characters, Bren and Lusielle. I’ve always been a sucker for the underdog, the reluctant hero and the tortured soul. In The Curse Giver, Bren, Lord of Laonia, is all of those. He’s got the makings of a hero, but his circumstances make him an outcast and a villain in his own mind. He is weary, bitter and troubled, but he’s also dutiful and determined, and he will not betray his people. As the story begins, he rescues Lusielle from the pyre, but only because he’s hunting a birthmark she bears. To defeat the curse that has obliterated his family and is killing him, he has to murder the woman who bears the birthmark in the foulest possible way. But as he escapes with his prey in tow, she is not what he expected. He faces yet another dismal choice: Can he murder the only woman capable of healing more than his body, his soul?

Lusielle is also one of my favorite characters in The Curse Giver, but for a totally different reason. When the story begins, she’s been betrayed by her greedy husband and condemned to die for a crime she didn’t commit. After years of abuse and slavery, the false accusations destroy her bleak but orderly world. As she flees with the bitter lord who has rescued her, she finds herself in an impossible situation: If she’s going to survive, she must help the mysterious lord who is determined to kill her to defeat the curse giver who has already conjured their ends. What I like most about Lusielle is that she has to change; she has to muster the courage to free herself from her tragic past and find the strength within to thrive in a world she doesn’t understand.

How long have you been writing? And who or what inspired you to write?

I’ve been writing for publication for about seven years now. I’m inspired to write by many people and many experiences, but ultimately, I write because I can’t stop writing. I swear. I’ve tried. I just can’t. My mind is powered by this story generator that keeps on going and won’t quit.

Do you have a certain routine you have for writing? Do you listen to music, sit in a certain chair…?

I’m one of those people who prefer to write in silence. I guess my mind is way too noisy as it is! I have a writing studio in my home, a cozy little room that opens up to a veranda that overlooks a beautiful, spring-fed river. It’s quiet and peaceful, and it’s my favorite place to write. I like to sit on my favorite chair, a Scandinavian ergonomic design that offers excellent support for the long hours of writing.

Do you choose a title first, or write the book, then choose the title?

I usually discover the title of my novels at the very moment when I write it for the first time into the story. It can happen early on, during the opening paragraph or late in the process. It’s really neat. It’s always a “wow” moment.

Are there any hidden messages or morals contained in your books? (Morals such as those in Aesop’s Fables: “The moral of this story is..”)

I don’t strive to preach any kind of morality in my stories, but I do write a lot about conflicting situations, injustice, opposing beliefs, and the meaning of concepts such as truth, faith and prejudice. Sometimes, the storyline leaves me and my readers thinking about things. For example, in The Curse Giver we join with the characters as they discover how reason, knowledge and awareness are the main components of our personal sense of strength. We don’t have to be magical to be strong. We just have to believe in ourselves.

Which format of book do you prefer, e-book, hardback, or paperback?

I’m partial to the indestructible, beach-proof, throw-it-in-your-bag, good old-fashioned paperback. I love the feel of a book between my hands. But I will confess—albeit reluctantly—that my latest e-reader has been growing on me. The idea that I can carry ALL of my favorite books around in my purse is irresistible.

Do you think books transfer to movies well? Which is your favorite/worst book-to-movie transfer?

I think that books and movies are two different and distinct media. I usually approach them with different expectations. What makes a book great is not the same thing that will work for a movie. The translation is particularly challenging for science fiction and fantasy. There are an awful lot of great SF/F books that have been made into terrible movies. I used to say that I never wanted to see my books made into movies. That is, until I watched George R. Martin’s Game of Thrones on HBO. It might be time to rethink the old prejudices. . . .

Your favorite food is?

Cake. I know. Not a good one. I like carrots too. Does that help?

Your favorite singer/group is?

That would be a long list!

Your favorite color is?

Blue.

Remember to check out today’s spotlight to find out more about Dora and The Curse Giver.

http://authorkarenswart.blogspot.com/

http://authorkarenswart.blogspot.com/2013/10/book-blitz-curse-giver-by-dora-machado.html

Why Texting is a Tool of the Devil and Proofreading Your work Matters . . . A lot!

Friday, October 4th, 2013

Part Two of my Interview with Proofreader Extraordinaire Linda Au

By

Dora Machado

Please allow me to reintroduce my friend and proofreader extraordinaire, Linda Au, who shared her insights with us on my previous blog post, regarding the ins and outs of her profession and why an author wants a little OCD in his or her proofreader. With an incredible eye for detail, a questioning approach and an uncanny ability to find even the most cryptic of errors, Linda is an incredible asset to every project she tackles. I know. I’ve worked with her many times and benefited from her professional OCD, which as we’ve learned, doesn’t always extend to all other parts of her life, like cleaning the house.

In the second part of my interview with Linda, we tackle some of the hottest issues facing authors today. As the writing world changes and publishing gets both simpler and also more complicated, Linda shares her thoughts on what’s the real current state of spelling in the  world and why proofreading matters . . . more than ever!

Enjoy!

D.

Welcome back, Linda. Writers today face so many hurdles and expenses. Why should having a manuscript professionally proofed be a priority?

In this rapidly evolving publishing world, everyone can call themselves writers by simply typing in a Word document, finishing with “The End,” and uploading it to Kindle Direct Publishing. Bingo! You’re published. Offer your “book” for free and you might even skyrocket to an impressive sales ranking for the day. But you’ll soon realize that even readers who download e-books that didn’t cost them a dime have standards. Their time is worth something. The general reading public is a lot smarter than the general writer-wannabe gives them credit for. They might download your first freebie book, but if it’s riddled with errors, typos, and bad formatting, they won’t care how good the story is (if it’s any good—and you can bet I’m skeptical about that). They won’t bother to download your second one.

The publishing slush pile used to be on the publisher’s desk. Then it moved to the agent’s desk. Now the whole slush pile is right out there for sale on Amazon.com. How can a serious writer stand out with all that competition? I’m convinced that what’s going to separate the men from the boys in the new publishing world is professionalism. Good writing. Good content editing. Good typesetting for print books and formatting for e-books. Good copy editing and proofreading.

By the way, as a side note: I am sometimes vexed that readers expect e-books to all be free or ridiculously cheap. A good, professional book still costs money to produce. The writer, editor, copy editor, publisher, and proofreader all still charge money for their services (and it’s a lot less than you think it is—none of us are retiring to the Caribbean any time soon). The only cost savings with e-books are with actual physical production: printing, binding, distribution. So yes, e-books should be cheaper, but good stories still cost money.

You are a writer too. What kinds of books do you write? Do you proofread your own books?

The two books I have out now are collections of humor essays, written under my maiden name/pen name of Linda M. Au. Although the essays are fun to write, switching gears and being funny in so many different little “stories” can feel burdensome when I’m putting one of the humor books together. I’m collecting ideas and essays for a third book, but I’ve got no personal deadline for it. Next up instead are a few of my NaNoWriMo novels, some of which have won awards (in whole or in part). Fiction is really my first love.

And yes, I do proofread my own books. (I also typeset them.) But I also run them through beta readers when they get close to being finished. That’s as much for content as for spelling and error-checks. Any problem a beta reader can point out helps me be better. I often cringe if it’s a typo or a missing word, of course, since that’s been my bread and butter for decades, but I’m relieved they’ve helped me be as good as I can be when I go to print.

What’s the hardest thing about working with writers?

The extremes in my clientele. It’s tough to have two very different clients at the same time. For instance, one writer might think she’s being helpful by throwing all sorts of formatting into her Word document manuscript, treating it almost like a layout program (which it’s not), or by learning just enough publishing jargon to be dangerous. Manuscript formatting has to be basic, especially if the next step is page layout or e-book formatting, both of which do not play nicely with overly formatted Word documents.

At the other extreme is the writer who still doesn’t seem to care if he or she spells words right or punctuates sentences properly. I’m not talking about a writer who struggles with these issues—I can appreciate the struggle and I really love helping such writers. But I don’t have a lot of tolerance for writers who insist that they are too busy being “creative” to learn the boring, nitpicky details of how to punctuate or spell. To me, that would be like a carpenter saying he’s too busy trying to create a beautiful rocking chair to learn how to use a hammer and saw.

If you’re a writer, words and grammar and punctuation are your tools. You need to learn to use them properly if you want to be taken seriously. And, I guarantee you that, once you learn these things, the creativity will still be there. In fact, it will be freed up and much more accessible to your readers because the mechanics will have become second nature.

In your opinion, what’s the current state of spelling in the world?

I think texting is a tool of the devil.

Seriously, I think that text-messaging has its place but has greatly reduced the regard for spelling conventions. I do writing coach work for eighth graders, and I see a lot of them slipping into text-messaging language in their essays: “ur” or “u” … stuff like that. They don’t even realize they’ve done it until I point it out.

I realize that language is fluid, and it’s a living thing, blah blah blah. But, there’s a big difference between language changing for practical reasons (such as “Google” becoming a verb) and language changing because too many people got lazy and misspelled a word or phrase for so long that the powers that be gave up (such as “alright” instead of “all right” slowly becoming more acceptable, though it’s not actually correct yet). Language changes that come from a lazy, uneducated populace bother me. It’s not quite the downfall of civilization, but I bet every civilization that fell had already started mistaking “its” for “it’s.”

Why will proofreading matter in the future?

As indie publishing/self-publishing becomes the norm (and it’s careening headlong in that direction already), what’s going to set the professionals apart will be their continued attention to detail and their pride in their work. And that has to include the use of the language. Not just pretty words, but properly spelled, properly punctuated pretty words. After all, writers are selling their ideas, expressed through their words. Why wouldn’t they want them to go out into the world as polished as they can be?

What’s your best proofreading advice for authors everywhere?

If you have to get yourself a grammar textbook or a copy of the Chicago Manual of Style, do it. If your first experience with a proofreader turned up ongoing issues and concerns—words you habitually spell incorrectly or grammar or punctuation issues you still don’t get right—then study and learn. It’s difficult to learn creativity or imagination, but it’s relatively easy to learn grammar and punctuation.

But never think that referring to a textbook can replace actual proofreading. Your own eyes are too forgiving of those words you missed or misspelled. Someone else’s objective eyes just may catch them … and you’ll be a better writer for it.

Language is your only tool as a writer. Learn to use it properly, and you can write anything well.

Thank you so much for this interview, Linda. I really appreciate everything that you’ve shared with us. I had a lot of fun talking to you.

***

Linda’s short humor essays have garnered numerous awards. Two books of her humor essays, Head in the Sand…and other unpopular positions and Fork in the Road … and other pointless discussions, are currently available on Amazon.com and BN.com.

Linda has worked behind the scenes in publishing as a proofreader, copy editor, and typesetter since the late 1980s. She has worked with many independent authors, as well as publishers such as Carroll & Graf, Shoemaker & Hoard, Crown & Covenant Publications, Christian Publications (now WingSpread/Zur), Pegasus Books, and F+W Publications.

Facebook: https://www.facebook.com/pages/Author-Linda-M-Au/119278508108217

Twitter: https://twitter.com/LindaMAu

Blog/Web site: The Other Side of the Desk

LinkedIn: http://www.linkedin.com/in/austruck/

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Dora Machado is the award winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats.

To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at [email protected].

Subscribe to her blog at http://www.doramachado.com/blog/ and sign up for her at newsletter at http://doramachado.com/newsletter.php,

Facebook and Twitter.

For a free excerpt of The Curse Giver, visit  http://twilighttimesbooks.com/TheCurseGiver_ch1.html.

The Curse Giver from Amazon

Amazon: : http://amzn.to/13oVu2P

A New Review of The Curse Giver

Monday, September 30th, 2013

By

Beverly S. Mcclure

Have you ever felt as though your life has been cursed, that whatever can go wrong will?

Perhaps you’re right.

What if there is such a thing/person/whatever that casts curses on a person or even a whole nation?

A scary thought, right? It may just be possible.

Award Winning Author Dora Machado’s latest fantasy novel, THE CURSE GIVER, deals with curses, betrayal, trust, family loyalty, and love. Lusielle, on the brink of death by being burned alive because her husband turned her in as a practitioner of forbidden arts, is rescued by Lord Brennus, a highborn. He has ulterior motives for saving her life, however. Lord Bren (Brennus) has been cursed to die a horrible death. To save himself and his people he must find the woman with a special birthmark and kill her. Lusielle has that mark, and she also may be the only one who can defeat the curse giver and give Bren hope.

The author has created characters with good points and bad, like real people. They seem realistic for the time period they live in. Lusielle faces her uncertain future with bravery and cunning, surprising Bren more than once. I found myself hoping that Bren would change his mind about killing her. No, I’m not saying what happens between them. You’ll find out when you read the book. Minor characters, and there are a lot of them, add to the suspense and conflict of the story, making the reader, this reader anyway, anticipate their next actions. Thankfully, the author provides a glossary at the end to help keep track of the characters.

THE CURSE GIVER should appeal to fantasy lovers and to readers that enjoy a battle or two with swords swishing. And for those that like a good romance, you might just find it here. Dora Machado has written another winner, so pick up a copy or add one to your eReader and spend the evening, lost in another world.

http://beverlystowemcclure.blogspot.com/2013/09/the-curse-giver-review.html

CurseGiver_Front Cover Final

The Curse Giver on Amazon.com: http://amzn.to/13oVu2P

****

Dora Machado is the award-winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books, July 2013. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats.

To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at [email protected].

For a free excerpt of The Curse Giver, visit  http://twilighttimesbooks.comthingsTheCurseGiver_ch1.html.

Subscribe to her blog at http://www.doramachado.com/blog/

Sign up for her newsletter at http://doramachado.com/newsletter.php,

Follow her on Facebook and Twitter.

The Making of an Audiobook

Monday, September 23rd, 2013

An Interview with Melissa Reizian

One of the best voice actresses in the business tells us how she chooses her projects and why writing for speech is at the heart of successful storytelling

by

Dora Machado

When I started this great adventure of writing, I never dreamed my novels would be published, let alone made into audiobooks. From the first time I typed “The End” at the bottom of a manuscript, to the first time I held each of my books in my hands, every step of this voyage has been filled with lots of emotions and incredible joy. I didn’t expect any less when we embarked in the new adventure of making the Stonewiser series available in audiobook, but I have to say: As an author, listening to the professional narration of Stonewiser: The Heart of the Stone has been one of the most powerful experiences I’ve ever had.

Once the decision was made to create the audiobook, it was an incredible journey. Following the advice that my friend and fellow TTB author, Aaron Paul Lazar, gave in his award-winning Murder by 4 blog,  http://bit.ly/157aX8H, I approached the Stonewiser series’ publisher with the idea. From there on, it went really fast. ACX was contacted. Voice auditions were held. I stepped into a new world where voices became characters and characters developed their own voices. I learned about pitch, tone and accents. I listened in wonder as actors bid to tell the story. None was more gifted than the talented Melissa Reizian. And thus she became my heroine’s enduring voice.

Intrigued by her world, I talked to Melissa Reizian about the process of creating an audiobook, her project selection criteria, and her best advice for writers who want their books to become audiobooks. I also talked to her about her voice’s magical ability to tell a wonderful story and turn a book into a magnificent listening experience.

Welcome, Melissa. Thank you so much for being a guest on my blog today. Can you tell us how you first became interested in narrating books?

I have been a full-time voice actor for more than 13 years. Before that, I was a television news reporter/anchor/producer/videographer—a “one-woman band,” we used to call it—and during that time, people always commented on my voice and my delivery. I have always had a “storytelling” kind of voice. I quit the news business when my oldest son was a few years old so I could spend more time with him (and now my two other sons as well!). For the first decade, I focused on commercials, e-learning training voiceovers, and other types of narration. I had a client who presented the opportunity to start auditioning for audiobooks and I jumped on it! Since then, I’ve narrated more than a dozen audiobooks. I feel this is the part of the job I’m most passionate about…and get the biggest sense of pride and reward from doing. It allows me to utilize my acting skills, bringing characters to life, either with fun accents and dialects, or just with intonation and the delivery of the read. I remember my oldest son, Jarod, looking up at me with big, incredulous eyes one night as I was reading the Disney novelization of Treasure Planet to him. I was doing the cat-captain’s voice with a British accent, and he just stared up at me and said, “You can BE HER?” I was hooked!

For those of us who are not familiar with the steps involved in creating an audiobook, can you tell us a little bit about the process?

First, you should always read the book you’re narrating. You would then research any foreign accents or dialects you need to learn.…I usually find other voice actors who are native speakers of that language and ask them to read some of the lines for me.…I’m a good mimic, so that usually is all it takes. If you don’t know what’s coming up in the book, and you are suddenly faced with, “…he said, with his thick Scottish brogue” (which HAS happened to me!), you are in a bit of trouble if you can’t pull it off! (I was told by a native speaker that my first attempt at an Irish accent in a recent romance novel sounded like a “Canadian vampire.” Not sure how he knew what a Canadian vampire sounded like…but I did work on it until it was right!)

I also ask the author his or her intention for any of the characters.…Sometimes we learn something important about a main character in book two of a series, so knowing that she will become a fae, for example, is helpful in giving her lines the appropriate interpretation in book one. As I read, and decide how the characters will sound…accent, rate of speech, confidence, volume, etc.…I record snippets of their lines on my iPhone. Then I refer to this as I go, because sometimes a character is off canvas for a good bit of the book and you forget what he sounds like.

After I record, I edit out any mistakes I’ve made and edit out the dogs barking at the mailman, the neighbor’s lawnmower, the kids running down the hall like a herd of elephants, etc.! I also adjust the length of pauses to make the narrative and dialogue flow appropriately. This is one of the most, if not the most important parts of the process. You may have heard someone read and leave too short or too long of a space between lines. It totally takes you out of the story! Timing is the difference between being immersed in the story and “judging the book.”

How do you select your projects, and what are the elements that make a novel well-suited for narration?

It might seem obvious that it is much easier to do a great job on a book that you actually like! I can attest from personal experience that that is true. For example, with Stonewiser: the Heart of the Stone, I found myself wanting to get back to it to keep Sariah’s story going…. It’s exciting to bring the story to life. There was one book I did—that I did not choose, but rather was assigned—that was horribly written. It made me wonder how it even got published…and it was really, really hard to finish. I found myself making excuses not to get back in the booth with it. So now, I have completely learned my lesson, and only audition for books once I’ve researched them. I look at comments and reviews on Amazon and GoodReads. I also look at the subject matter. I’m certainly not opposed to some story-propelling steamy scenes, but gratuitous, extreme sex is not my bag…because frankly, I have to consider the impact it would have on my boys if they were to hear it, or hear ABOUT it from their friends!  I especially love narrating books that are written in first person (Sorry, Dora! J) because you get to do a “character” the whole time. But just a book that has strong, well-written characters with a story that moves is great. Pretty much the same things you’d look for in choosing a book to READ is what I look for when picking a book to NARRATE. You are spending about 40-50 hours with a 10-hour book from research to mastering, so you better love it!

Why did you choose to work on Stonewiser: The Heart of the Stone?

I love fantasy as a genre. I got started really voraciously reading, as a kid, with Piers Anthony’s Xanth series. The idea that there is a whole other world with its own set of rules is just cool. And when it’s a story about real people living in that world, it’s a great escape from reality. Like in your case, Dora, you created this whole other universe that is totally believable because you are careful to maintain all the “rules” you established and write your characters true to themselves.

What was the most challenging part of this project?

Actually, figuring out what the characters should sound like was a challenge. I don’t want to give away any spoilers, but suffice it to say that there are mysteries revealed as the story develops and all is not what it seems! As these secrets come to light, it becomes a little harder to justify what everyone should sound like. We actually went back and changed some characters’ accents after getting quite far into the book!

What was your favorite part of this project?

I loved the confrontational scenes between Sariah and…well, just about everyone! The girl doesn’t exactly have the easiest time of it! But performing and editing a really strong “acting” scene is very rewarding for me. Also, Dora, your descriptions are just phenomenal! You can “see” what you are writing happen in your head, and I really hope that readers get that from my narration when they listen to it!

What kind of readers do you think might enjoy listening to Stonewiser: The Heart of the Stone?

People who love the fantasy genre—or sci-fi—will love it. But I would think this would even be enjoyable to someone who does not label themselves as “fantasy fans” because, when you come right down to it, this is a love story and a story of survival, self-awakening, and liberation. There are powerful messages in this book, as it challenges our notions of one’s “place in society,” the idea that we think we know everything about our enemies, and, to paraphrase my favorite Vulcan, “the needs of the one over the needs of the many.”

What would be your best advice for authors seeking to make their novels into audiobooks?

Write for speech! Nothing is more frustrating that narrating a book and realizing that no one would actually speak that way! Make your characters distinct and well-defined. This gives the narrator a good basis to make acting and voicing choices and helps the listener believe they are real.

I’d like to add that I can’t wait for people to get the chance to experience the audio version of Stonewiser: the Heart of the Stone. You can listen to a free sample at: http://bit.ly/18rUjkS. I really hope you’ll take the time to leave feedback (well, unless you don’t like it! J). I’ve gotta get going now and get back to reading part two—Stonewiser: the Call of the Stone!

Melissa, thank you very much for being my guest today and special thanks for all the hard work and passion that you put into giving voice to Stonewiser: The Heart of the Stone.

Thank you so much!

****

Stonewiser The Heart of the Stone Audible

Stonewiser: The Heart of the Stone, the Audible edition, is now available at: http://www.audible.com/pd/Sci-Fi-Fantasy/Stonewiser-Audiobook/B00F52CJIY/ref=sr_1_1?qid=1379186069&sr=1-1

And on Amazon at:

http://www.amazon.com/Stonewiser-Heart-Stone-ebook/dp/B001F7ATEO/ref=sr_1_1?s=books&ie=UTF8&qid=1379351789&sr=1-1&keywords=stonewiser+the+heart+of+the+stone

Contact Melissa Reizian at her website www.YouChoiceVoice.com or email her at [email protected].

About Dora Machado

Dora Machado is the award-winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books, July 2013. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats. To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at [email protected]. For a free excerpt of The Curse Giver, visit  http://twilighttimesbooks.com/TheCurseGiver_ch1.html.

Subscribe to her blog at http://www.doramachado.com/blog/, sign up for her at newsletter at http://doramachado.com/newsletter.php,

Facebook and Twitter.

Website: http://www.doramachado.com/

Email: [email protected]

Blog: http://www.doramachado.com/blog/

Facebook: https://www.facebook.com/DoraMachado101

Twitter: @DoraMachado or https://twitter.com/DoraMachado

Amazon Author Central: amazon.com/author/doramachado


How Fantasy Loves Romance and Romance Loves Fantasy

Wednesday, September 11th, 2013

by

Dora Machado

People ask me all the time why I chose to write romantic fantasy. The short answer is that I can’t envision writing one without the other. The long answer might be a little more complex. The union of fantasy and romance is a marriage of convenience. The genres complement, enhance and enrich each other. Beyond that, romance and fantasy are the Yin and the Yang, ebony and ivory, Billy Joel and Elton John. They belong together.

I love writing epic fantasy. Fantasy is a subversive genre, requiring the mind to bend and the imagination to flex, perfectly suited for me. I love the genre’s creative freedom, the opportunity to rethink, redesign and reinterpret the human experience in fresh and diverse settings, and the mysteries that magic brings to the human equation. But fantasy without romance is like lemonade without lemons–blah, tasteless, inert. Add a voluptuous romance to a well-crafted fantasy and POW! Now you’ve got a story with grit.

This is exactly what I’ve tried to do in all of my books, and my latest novel, The Curse Giver from Twilight Times Books, is no exception. The Curse Giver is about an innocent healer named Lusielle, who is betrayed and condemned to die for a crime she didn’t commit. When she’s about to be executed, Lusielle is rescued from the pyre by an embittered lord doomed by a mysterious curse. You might think that Bren, Lord of Laonia, is Lusielle’s savior, but he isn’t. On the contrary, Bren is pledged to kill Lusielle, because her murder is his people’s only chance at salvation.

The curse tormenting the Lord of Laonia is at the action crux of the story, but it’s really the relationship between Bren and Lusielle that gives meaning to this grand adventure. The gradual transformation of enemies into allies, the clash of conflicted hearts and the forbidden passion that blooms between them, balance the action, deepen the story, and imbue the tale with a sense of gritty realism. This is the part that makes the reader care and the writer write. This is the part that gives me goose bumps. As Lusielle and Bren prepare to challenge the curse giver who has already conjured their ends, they must find the magic within, the inner strength to save not just themselves, but each other. In the end, romance lends fantasy the concept of affection, and affection turns out to be the most powerful magic of all.

In my fantasy novels, romance is not just a component of the story; it is the heart of the story. In my view, romance enhances fantasy by connecting the story to the experience of love, personal struggle and acceptance. Without this connection, fantasy loses balance, meaning, focus, depth and perspective. The stories I want to tell are lush, vivid, passionate and exuberant. I can’t imagine telling them without a sizzling romance sprouting right in the middle of it all to make a mess of things. At the end of the day, that might very well be why I chose to write romantic fantasy. I like to make a mess of things and romantic fantasy is as much fun to read as it is to write.


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Amazon Link: http://amzn.to/13oVu2P

Dora Machado is the award-winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats. To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at [email protected].

For a free excerpt of The Curse Giver, visit  http://twilighttimesbooks.com/TheCurseGiver_ch1.html.

Subscribe to Dora’s blog at http://www.doramachado.com/blog/.

Sign up for Dora’s at newsletter at http://doramachado.com/newsletter.php,

Facebook and Twitter.

Watch The Curse Giver‘s Book Trailer at:

http://www.youtube.com/watch?v=nv8WFYpdqQo&feature=youtu.be&noredirect=1

Author Links:

Website: http://www.doramachado.com/

Email: [email protected]

Blog: http://www.doramachado.com/blog/

Newsletter: http://doramachado.com/newsletter.php,

Facebook: https://www.facebook.com/DoraMachado101

Twitter: @DoraMachado or https://twitter.com/DoraMachado

Amazon Author Central: amazon.com/author/doramachado