An Interview with Melissa Reizian
One of the best voice actresses in the business tells us how she chooses her projects and why writing for speech is at the heart of successful storytelling
by
Dora Machado
When I started this great adventure of writing, I never dreamed my novels would be published, let alone made into audiobooks. From the first time I typed “The End” at the bottom of a manuscript, to the first time I held each of my books in my hands, every step of this voyage has been filled with lots of emotions and incredible joy. I didn’t expect any less when we embarked in the new adventure of making the Stonewiser series available in audiobook, but I have to say: As an author, listening to the professional narration of Stonewiser: The Heart of the Stone has been one of the most powerful experiences I’ve ever had.
Once the decision was made to create the audiobook, it was an incredible journey. Following the advice that my friend and fellow TTB author, Aaron Paul Lazar, gave in his award-winning Murder by 4 blog, http://bit.ly/157aX8H, I approached the Stonewiser series’ publisher with the idea. From there on, it went really fast. ACX was contacted. Voice auditions were held. I stepped into a new world where voices became characters and characters developed their own voices. I learned about pitch, tone and accents. I listened in wonder as actors bid to tell the story. None was more gifted than the talented Melissa Reizian. And thus she became my heroine’s enduring voice.
Intrigued by her world, I talked to Melissa Reizian about the process of creating an audiobook, her project selection criteria, and her best advice for writers who want their books to become audiobooks. I also talked to her about her voice’s magical ability to tell a wonderful story and turn a book into a magnificent listening experience.
Welcome, Melissa. Thank you so much for being a guest on my blog today. Can you tell us how you first became interested in narrating books?
I have been a full-time voice actor for more than 13 years. Before that, I was a television news reporter/anchor/producer/videographer—a “one-woman band,” we used to call it—and during that time, people always commented on my voice and my delivery. I have always had a “storytelling” kind of voice. I quit the news business when my oldest son was a few years old so I could spend more time with him (and now my two other sons as well!). For the first decade, I focused on commercials, e-learning training voiceovers, and other types of narration. I had a client who presented the opportunity to start auditioning for audiobooks and I jumped on it! Since then, I’ve narrated more than a dozen audiobooks. I feel this is the part of the job I’m most passionate about…and get the biggest sense of pride and reward from doing. It allows me to utilize my acting skills, bringing characters to life, either with fun accents and dialects, or just with intonation and the delivery of the read. I remember my oldest son, Jarod, looking up at me with big, incredulous eyes one night as I was reading the Disney novelization of Treasure Planet to him. I was doing the cat-captain’s voice with a British accent, and he just stared up at me and said, “You can BE HER?” I was hooked!
For those of us who are not familiar with the steps involved in creating an audiobook, can you tell us a little bit about the process?
First, you should always read the book you’re narrating. You would then research any foreign accents or dialects you need to learn.…I usually find other voice actors who are native speakers of that language and ask them to read some of the lines for me.…I’m a good mimic, so that usually is all it takes. If you don’t know what’s coming up in the book, and you are suddenly faced with, “…he said, with his thick Scottish brogue” (which HAS happened to me!), you are in a bit of trouble if you can’t pull it off! (I was told by a native speaker that my first attempt at an Irish accent in a recent romance novel sounded like a “Canadian vampire.” Not sure how he knew what a Canadian vampire sounded like…but I did work on it until it was right!)
I also ask the author his or her intention for any of the characters.…Sometimes we learn something important about a main character in book two of a series, so knowing that she will become a fae, for example, is helpful in giving her lines the appropriate interpretation in book one. As I read, and decide how the characters will sound…accent, rate of speech, confidence, volume, etc.…I record snippets of their lines on my iPhone. Then I refer to this as I go, because sometimes a character is off canvas for a good bit of the book and you forget what he sounds like.
After I record, I edit out any mistakes I’ve made and edit out the dogs barking at the mailman, the neighbor’s lawnmower, the kids running down the hall like a herd of elephants, etc.! I also adjust the length of pauses to make the narrative and dialogue flow appropriately. This is one of the most, if not the most important parts of the process. You may have heard someone read and leave too short or too long of a space between lines. It totally takes you out of the story! Timing is the difference between being immersed in the story and “judging the book.”
How do you select your projects, and what are the elements that make a novel well-suited for narration?
It might seem obvious that it is much easier to do a great job on a book that you actually like! I can attest from personal experience that that is true. For example, with Stonewiser: the Heart of the Stone, I found myself wanting to get back to it to keep Sariah’s story going…. It’s exciting to bring the story to life. There was one book I did—that I did not choose, but rather was assigned—that was horribly written. It made me wonder how it even got published…and it was really, really hard to finish. I found myself making excuses not to get back in the booth with it. So now, I have completely learned my lesson, and only audition for books once I’ve researched them. I look at comments and reviews on Amazon and GoodReads. I also look at the subject matter. I’m certainly not opposed to some story-propelling steamy scenes, but gratuitous, extreme sex is not my bag…because frankly, I have to consider the impact it would have on my boys if they were to hear it, or hear ABOUT it from their friends! I especially love narrating books that are written in first person (Sorry, Dora! J) because you get to do a “character” the whole time. But just a book that has strong, well-written characters with a story that moves is great. Pretty much the same things you’d look for in choosing a book to READ is what I look for when picking a book to NARRATE. You are spending about 40-50 hours with a 10-hour book from research to mastering, so you better love it!
Why did you choose to work on Stonewiser: The Heart of the Stone?
I love fantasy as a genre. I got started really voraciously reading, as a kid, with Piers Anthony’s Xanth series. The idea that there is a whole other world with its own set of rules is just cool. And when it’s a story about real people living in that world, it’s a great escape from reality. Like in your case, Dora, you created this whole other universe that is totally believable because you are careful to maintain all the “rules” you established and write your characters true to themselves.
What was the most challenging part of this project?
Actually, figuring out what the characters should sound like was a challenge. I don’t want to give away any spoilers, but suffice it to say that there are mysteries revealed as the story develops and all is not what it seems! As these secrets come to light, it becomes a little harder to justify what everyone should sound like. We actually went back and changed some characters’ accents after getting quite far into the book!
What was your favorite part of this project?
I loved the confrontational scenes between Sariah and…well, just about everyone! The girl doesn’t exactly have the easiest time of it! But performing and editing a really strong “acting” scene is very rewarding for me. Also, Dora, your descriptions are just phenomenal! You can “see” what you are writing happen in your head, and I really hope that readers get that from my narration when they listen to it!
What kind of readers do you think might enjoy listening to Stonewiser: The Heart of the Stone?
People who love the fantasy genre—or sci-fi—will love it. But I would think this would even be enjoyable to someone who does not label themselves as “fantasy fans” because, when you come right down to it, this is a love story and a story of survival, self-awakening, and liberation. There are powerful messages in this book, as it challenges our notions of one’s “place in society,” the idea that we think we know everything about our enemies, and, to paraphrase my favorite Vulcan, “the needs of the one over the needs of the many.”
What would be your best advice for authors seeking to make their novels into audiobooks?
Write for speech! Nothing is more frustrating that narrating a book and realizing that no one would actually speak that way! Make your characters distinct and well-defined. This gives the narrator a good basis to make acting and voicing choices and helps the listener believe they are real.
I’d like to add that I can’t wait for people to get the chance to experience the audio version of Stonewiser: the Heart of the Stone. You can listen to a free sample at: http://bit.ly/18rUjkS. I really hope you’ll take the time to leave feedback (well, unless you don’t like it! J). I’ve gotta get going now and get back to reading part two—Stonewiser: the Call of the Stone!
Melissa, thank you very much for being my guest today and special thanks for all the hard work and passion that you put into giving voice to Stonewiser: The Heart of the Stone.
Thank you so much!
****
Stonewiser: The Heart of the Stone, the Audible edition, is now available at: http://www.audible.com/pd/Sci-Fi-Fantasy/Stonewiser-Audiobook/B00F52CJIY/ref=sr_1_1?qid=1379186069&sr=1-1
And on Amazon at:
http://www.amazon.com/Stonewiser-Heart-Stone-ebook/dp/B001F7ATEO/ref=sr_1_1?s=books&ie=UTF8&qid=1379351789&sr=1-1&keywords=stonewiser+the+heart+of+the+stone
Contact Melissa Reizian at her website www.YouChoiceVoice.com or email her at [email protected].
About Dora Machado
Dora Machado is the award-winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books, July 2013. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats. To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at [email protected]. For a free excerpt of The Curse Giver, visit http://twilighttimesbooks.com/TheCurseGiver_ch1.html.
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